Each artwork is professionally framed in sustainably sourced solid timber with your choice of matte black or white finish. UV resistant plexiglass protects the print surface while allowing easy maintenance. Our giclée process ensures superior colour fidelity to the original artwork, validated through our colour matching protocols. Every print arrives with professional grade hanging hardware pre-installed for immediate display.
We produce online exhibitions to showcase evolving artistic perspectives while ensuring every print meets our exacting reproduction standards. Sustainability guides our material selection, from sustainably sourced timber frames to printing on archival papers manufactured using environmentally responsible processes.

Our commitment to continuous improvement means we regularly evaluate new materials and recycling techniques that reduce environmental impact without compromising print quality or longevity. Even our smallest framed prints, 8 x 10″, are printed to the highest quality.
CodaCo’s Impasto Impressions collection brings that same visual energy into your home, digitally hand painted by our studio artists and reproduced as museum quality giclée prints that reproduce every ridge, stroke, and shadow of the original work.
Every artwork in the Impasto Impressions collection is created entirely by qualified visual artists using professional digital painting techniques that replicate the expressive weight and dimensionality of traditional impasto.
That means visible, directional brushwork. It means thick passages of colour that catch imagined light. It means the kind of surface energy that makes a painting feel alive rather than printed, because it was painted, stroke by deliberate stroke, before a single print was ever made.
Our giclée reproduction process then does the rest. Using Epson UltraChrome pigment inks on archival grade paper, each print is calibrated for colour fidelity, vibrancy, hue accuracy, contrast, and saturation that stays true to the original digital painting, not an approximation of it. Where cheaper reproduction processes flatten and dull, our giclée process preserves the tonal depth and chromatic richness that give impasto collection its characteristic presence.

"The goal was reproduction so faithful to the original artwork that the print doesn't feel like a copy, it feels like the artwork itself, which it is, beyond being purely digital."
Studio Director, CodaCo

CodaCo endeavours to use the latest sustainable, archival digital print technologies available.
Our framed prints are custom packaged for shipping however in the event of damage in transit we will replace the print as per our Terms And Refund Policy.
Museum quality refers to the reproduction standard, not just the paper, but the entire process. CodaCo uses professional giclée printing with Epson UltraChrome HDX pigment inks on archival grade, acid free paper (189 g/m², 10.3 mil). This is the same method used by fine art publishers and museum reproduction departments worldwide. Our colour matching protocols validate fidelity to the original artwork, and every print undergoes a three point quality inspection before shipping. The result is a print that preserves subtle tonal transitions, accurate hue, and the dimensional character of original brushwork, not an approximation of it.
Every artwork in the CodaCo collection is original, developed in-house by qualified visual artists using proprietary digital painting techniques refined over years of practice. CodaCo is a focused creative studio based on South Australia’s Fleurieu Peninsula, not a marketplace aggregating prints from thousands of third-party contributors. When you purchase a CodaCo print, you’re acquiring a curated piece from a collection we’ve created from scratch and built deliberately, held to the same standards applied to fine art gallery editions because they’re ours.
Giclée (pronounced zhee-klay) is a professional inkjet printing process that uses archival-grade pigment inks to produce reproductions of exceptional colour depth, tonal accuracy, and longevity. Unlike standard digital printing, giclée preserves the chromatic richness, contrast, and vibrancy of the original artwork rather than flattening or dulling it. CodaCo’s giclée process uses Epson UltraChrome HDX inks, which are GREENGUARD Gold certified and non-toxic, printed on acid-free paper that resists deterioration over time. This is why giclée is the preferred reproduction method for galleries, fine art publishers, and museum collections.
CodaCo frames are made from Ayous solid timber, sourced from sustainably managed, renewable forests. Each frame is finished in your choice of matte black or matte white. UV resistant plexiglass acrylic protects the print surface from light degradation and makes cleaning straightforward. Professional grade hanging hardware comes pre-installed, so every framed print is ready to hang the moment it arrives, no trips to the hardware store required.
Yes. CodaCo is proudly Australian owned and operated, with our studio based on South Australia’s Fleurieu Peninsula. We’re not a multinational fulfilment business with a thin brand layer on top — we’re a small, focused studio that cares about the craft and the experience you have when a print arrives at your door. You can reach a real person during business hours, Monday to Friday, 9am–5pm ACST, on 1300 050 555.
CodaCo ships globally. Current estimated delivery times are:
Every order is custom packaged for its journey and passes a three-point inspection before dispatch. All prices are in Australian dollars, and delivery is often free across all regions.
In the rare event that a print is damaged in transit, CodaCo will replace it — no argument, no complicated paperwork process. Our prints are custom packaged specifically to protect them during international and domestic shipping, but if something goes wrong we stand behind the product. Full details are available in our Terms and Refund Policy.
Sustainability is built into the production model, not added as a marketing claim. CodaCo prints on demand, which means no speculative overprinting, no dead stock sitting in a warehouse, and significantly reduced energy and material waste compared to batch printing. Our Epson UltraChrome HDX inks are GREENGUARD Gold certified and non-toxic. Frames use Ayous timber from sustainably managed, renewable forests, and our archival paper is manufactured using environmentally responsible processes. We evaluate new materials and processes continuously as part of our commitment to reducing environmental impact without compromising print quality or longevity.
CodaCo’s catalogue is organised across five collections, each with its own distinct visual character:
Our newest collection, Impasto Impressions, brings the centuries old technique of thick, layered paint into the digital studio, digitally hand-painted stroke by deliberate stroke, then reproduced as giclée prints that honour the texture, directionality, and surface energy of traditional impasto work.
We rotate our online exhibitions regularly. If something catches your eye, it’s worth acting, not every work remains in the collection permanently.
All payments are processed securely through Stripe, one of the world’s most trusted payment platforms. CodaCo does not store your card details. All transactions are encrypted and handled in full compliance with PCI-DSS standards. Prices are displayed and charged in Australian dollars.
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